Friday, December 6, 2013

The Archetype of the Troubadour ... is Alive and Well ... all Over the World

... which is more than can be said for some 'archeypes' treated in modern movies and television shows.

Barry McGuire and John York

A few evenings ago I was watching PBS and caught Barry McGuire (with John York of the storied career, includig The Byrds) singing Eve of Destruction. And I thought to myself, since I wasn't thinking to anyone else at that moment, that the archetype of the 'troubadour' is alive and well. Which is a good thing. There are tens of thousands of troubadours singing all over the world, it just happened to be Barry McGuire that pulled at my reflective mind.

The health of our archetypes - i.e. how we treat and dress and give voice to archetypes in our cultural media consumables - is imortant to our health. Degrade our archetypes and we degrade our culture. Which in turn makes us less than what we could be. Since it is our archetypes that inspire and instruct (both of these) us that we are and can be 'bigger' than any of our 'ordinary' moments.

Boy, he has sung that song across a lot of Time, relative to how lasting, across Time, human beings can be.

A Bit of Recent History on the Medieval European Troubadours
"Astonishing in their diversity and grace, the circa four thousand poems of the Occitanian and Catalan troubadours survive by the foresight of a few enlightened patrons who, sensing the end of an epoch, began amassing these precious works in large manuscript codices. Yet the medieval hour was late; poems that had been sung for generations were collected and transcribed at the very end of their general currency in society. And only two hundred or so melodies (preserved in what degree of exactitude?) were ever written down at all."
Joel Cohen's liner notes to Lo Gai Saber: Troubadours et Jongleurs 1100 - 1300, 1991.

You can read more about this recording here.

New Archetypes are not Created
Of course, there were troubadours all over the world before the term was invented in the Middle Ages in Occitania. Then it was largely about 'love' - Divine and of this human plane. I include songs of activism in the troubadour archetype. The 60s and 70s were a rich time for troubadours. The 80s and 90s not so much. But ... the archetype is alive and well today. Hooray! Just as they love love, so we do, and must, love them.

There are no new archetypes created. (Just as there are no new spiritual teachings.) Yes, we can dress and disguise our archetypes, and so empower or disempower them, in the guises of our time and place and the persons around us. To degrade them for entertainment's purposes only is to lose them. To lose them is to lose part of what we are and part of what we can be.

Namaste! I bow to and honor the light within you!

Monday, December 2, 2013

Nora the Piano Cat ... Accompanied by Me Thinking About Animal Sentience

All of us are travelling an evolutionary arc, individually and As One. Many of us don't really know what we believe about many aspects of the fragment of the Universe that we live within. An inquiring mind is a normally functioning mind. For writers of fiction it's important to get to know our own inquiring mind. What do we really believe about this and that? I mean really believe.

Contemplation. Reflection. Hope. Dedication. Resolve. Planning. Intent. Creation ... What do we know about the sentience of some animal species? Elephants, whales, dolphins, horses, dogs ... littleCats? Really, not many of us know very much at all. If you are a writer of stories and your stories include animals as characters - important characters, minor characters, background charactors, it doesn't really matter - then you do need to be clear about what you believe about animals and their consciousness, before you write about them. In this way you can be true to you the artist.

... And So To Nora the Piano Cat

I've been thinking about Nora the cat a lot recently. (Full disclosure: I love Nora!) Nora 'plays the piano'. Which opens the question - are some animals artists? I have blogged about animals as artists.

And I particularly love Nora playing in a piece specially commissioned for her by the Klaipeda Chamber Orchestra, conductor and composer Mindaugas Piecaitis.

What if ... It's a Creation through Interaction?

Coming to know another species' sentience is complex and subtle. Legends tell us about the sentience of other species, other beings. So do fables and parables, teaching stories and true-life stories. So many. So, so many. So many stories. So many animals.

Honoring more full disclusure ... I have two cats here and now, and have had the privilege to have been the 'owner' of many cats over the years. With every one of these littleCats that came to share their life with me I saw an emergence of sentience. Not just a growth in relationship ... but a growth in sentience.

What if ... animal sentience in a littleCat, say, is partly created interactively by me and the littleCat together, and is not 'just there'? In which case ... if this is the case ... then ... what happens to me? For, surely, if the littleCat is growing in sentience then ... 'something' will be happening to me also. Right?

Reuben was His Name

By the way ... I once had a littleCat who wanted to play the piano. He was an older cat. Long life lived so not much of 'Time' left to him to live. I watched him tentatively jump up onto my piano stool and reach with a forepaw and touch the keys and make sound. Several times. Each time I saw him do this I felt in that space of reverant resonace within me a sense his 'intent to aspire'. Reuben was his name. 'Death' is not the end of the thread of life that each of us is. Thus 'aspiring' to be 'more' is evolutionary within the arc.

I never encouraged him or mentored him. I think now I should have. Reuben was the littleCat who also shared with me one of his dreams. I 'dreamt' it, but it was his. The shapes were 'spikey'. The colors were 'different'. As was the dance of movements together. Other littleCats, indeed all of them, have taught me the privilege of loving. Not the privilege of being loved ... but the privilege of giving love, of loving. That is a great teaching to be Given.

Whales ... and Crickets ...

Thousands of composers integrate songs of animals, and of Mother Nature Herself, into their compositions. Whale songs are pervasively popular. My favorite is Ocean Odyssey by Adam Goddard. Robbie Robertson, the great American musician and composer of Mowhawk heritage has slowed-down crickets on a track called Twisted Hair on his album Music for the Native Americans. You can listen to that below. His Facebook page explains a little of what was done to integrate the choir of the crickets - "... the crickets were recorded and pitched down/slowed down. Native American opera singer Bonnie Jo Hunt accompanies Robbie and the crickets."

And Back to Writers

Right now I have some characters who are animals come to visit me or find me. And so I have been thinking about animals and their sentience. For, I want the voice that I give them to be true to the story that came to find me.

Namaste! I bow to and honor the light within you!